Disan (1st Moon)
Sataku looks upon Disan with quiet disdain. To her, his plagues are not art but decay — creations that only unmake what could have been nurtured. She sees him as a child tearing apart toys he never knew how to cherish. Yet in private, she admits his corruption gives her universes a kind of balance, a shadow to her light.
Hayasa (2nd Moon)
She respects Hayasa's devotion to order but finds his prisons suffocating in the wrong way. Where she cages out of love, he cages out of punishment. Sataku believes his chains destroy growth rather than protect it, though she acknowledges that his discipline has the weight of inevitability.
Askede (3rd Moon)
Askede's forge fascinates Sataku, for weapons and relics are the seeds of conflict that give her universes meaning. Yet Sataku disapproves of her vengeance — where Sataku creates to nurture, Askede creates to kill. Still, Sataku respects that her relics endure, much like the stars she births.
Niyarashi (4th Moon)
Magic, to Sataku, is a fleeting light. Niyarashi's chaotic nature irritates her, for he weaves without thinking of what comes after. She sees him as reckless — a child playing with sparks while she tends to suns. Yet she does not despise him entirely, for even his storms can illuminate her worlds.
Natabut (5th Moon)
Natabut earns her respect, for his reflective power and discipline echo her own sense of inevitability. Yet Sataku pities him, too, for he is forever reactive — a wall that waits for others to strike. To her, creation is stronger than reflection, but she acknowledges his silent strength.
Loire (6th Moon)
Loire unsettles Sataku deeply. His husks are hollow shells — bodies without stars inside. She sees him as incomplete, a sculptor of cages with no light to fill them. Yet she also senses kinship, for her universes without souls would be as hollow as his statues without Asrade's touch.
Barata (7th Moon)
Sataku views Barata with frustration. Sleep and dreams, to her, are wasted stillness — galaxies should move, rivers of stars should flow. Yet she admits his aura has power even she cannot fully resist. When he dreams, her worlds quiet, as if listening to his slumbering song.
Fune (9th Moon)
Sataku respects Fune's balance. Water, blood, and storms flow through every world she creates, and Sataku knows her universes could not survive without them. She sees in Fune a necessary ally, though she wishes her judgment were less rigid.
Futika (10th Moon)
She despises Futika's mindless destruction. To Sataku, creation is sacred, and Futika's catastrophes unravel what she builds without thought or purpose. Yet in her rare moments of honesty, Sataku admits destruction is part of the cycle — though she will never say it aloud to Futika.
Asrade (11th Moon)
Asrade is Sataku's counterpart. Where Sataku creates bodies of worlds, Asrade breathes life into souls. Sataku feels kinship with her, even dependence, for without souls her universes would remain cold, empty spheres. She respects Asrade deeply, though she envies her quiet, indispensable gift.
Inaroth (12th Moon)
Inaroth terrifies and fascinates her in equal measure. Time and space are the canvas upon which Sataku paints, and Inaroth commands them absolutely. Sataku respects her authority but resents her dominance, for what is creation if the flow of time itself can erase it? Yet she never voices this resentment, for even the mother of universes bows to inevitability.